Play Along Piano

Tags

Renaissance

''Matona mia cara'', Orlando di Lasso (1532 - 1597)

FarrierPete

2:57	Est. Play Time
116	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	5	100%
	11	0	2	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	5	100%
	11	2	5	100%
Baritone	11	3	5	100%
Bass	12	1	4	98%

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses

Plagal

2:57	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
Trombone	12	1	3	9	90%
Trompet 3	11	0	1	5	77%

The King's dance

Samuele Meris

2:38	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	0	0	5	100%
Dulciana	9	0	0	5	100%
View all 7 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	5	100%
Dulciana	9	5	100%
Viola tenore	12	5	73%
Violone	6	3	73%
Flauto dolce sopranino in Fa	9	5	71%
Flauto dolce tenore in Do	9	5	49%
Cornamusa soprano	8	5	22%

Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA

gmolstad

2:13	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
Alto	9	0	2	5	100%
Soprano I	13	0	2	5	100%
Soprano II	12	0	2	5	95%
Bass	10	0	2	4	44%
Tenor	8	0	0	5	44%

King of the Faeries

viola.ambera

2:57	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	15	4	1	8	97%
Violin	17	6	1	9	92%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	15	4	1	8	97%
Violin	17	6	1	9	92%
	14	5	1	6	88%
	16	8	1	6	82%
Viola	14	6	1	6	88%

Anchor che col Partire

Debberg

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	8	6	0	5	91%
	13	16	2	6	94%
Soprano Recorder	15	0	2	7	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	8	6	0	5	91%
	13	16	2	6	94%
Soprano Recorder	15	0	2	7	94%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	0	18	6	94%
	27	0	19	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	18	6	94%
	27	19	6	94%
Alto Recorder	24	19	6	88%
Bass Recorder	28	13	6	61%

Short Melody No. 27

Huug Verschuijl

2:31	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	41	6	4	100%
		16	13	3	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	41	6	4	100%
		16	13	3	3	100%

O magnum mysterium-Tomás Luis de Victoria: Sax Quartet

SaxyTreble

2:42	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	15	0	5	7	99%
Soprano Saxophone	10	0	2	8	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	15	5	7	99%
Soprano Saxophone	10	2	8	96%
Tenor Saxophone	13	4	6	91%
Baritone Saxophone	13	3	6	81%

Antonio de Cabezón - Diferencias sobre el canto del Caballero

Mitocondria

2:40	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%